Raga, Ragas or Raag – In the Indian Classical Music, Raga is the basis of melody and Tala is the basis of
rhythm. A raga may be described as a combination of Swaras or notes that conform to specific rules and
expression of melodies, the ragas were identified from melodies that conveyed different moods and gave
different vibrations to different energy centers. Ragas are a series of between 5 to 12 musical notes,
in theory divided into three categories Audav, Shadav and Sampurna Jati. Carnatic raga elaborations are
generally much faster in tempo and shorter than their equivalents in Hindustani music. Divya music offers
vocal music education on regular basis and DM Live core – online vocal music classes.
1. Bharat Bhairav:
This raag is a mixture of Bairagi & Ahir Bhairav, for example if from Ahir Bhairav Remove the Gandhar and in Bairagi use suddh Dhaiwat in spite of komal Dhaiwat. Other important thing, Like Bhairav in this raga Re is vibrating all the time so that by nature it's feel very smooth and peaceful.
That - Bhairav, Jati - Audav-Audav, Varjit swar - Gandhar, Aaroha - Sa komal Re Ma Pa, Dha komal Ni Sa, Avaroha - Sa komal Ni Dha Pa, Ma komal Re Sa, Pakad - Sa komal (Mandra) Ni (Mandra) Dha komal (Mandra) Ni Re Sa Sa komal ReMa MaPaMa Komal Re komal Re Sa, Vadi - Samvadi - Madhyam & Shadaj, Komal or Tivra Swar - komal Rishabh & Nishad , Time of singing - First part of the day (Early Morning), Nature of Rag - peaceful and Smooth, Rag Vishtar - All Saptak , Sam prakriti rag - Ahir Bhairav & Bairagi.
2. Gaud Sarang:
That - kalyan, Aaroha - Sa Ga Re Ma Ga, Pa Tivra Ma Dha Pa, Ni Dha, Tar Sa, Avaroha - Tar Sa, Dha, Ni Pa, Dha Tivra Ma Pa, Ga, Re Ma Ga, Pa Re Sa, Pakad - Sa, Ga, Re Ma Ga Pa Re Re Sa, Jati - Vakra Sampurna, Varjit swar - NA, Vadi - Samvadi - Gandhar and Dhaiwat, komal & Tivra - Madhyam Tivra , Time of singing - Third part of the day, Nature of Rag - Deep, Samprakirti rag - NA, Notation of Nyas - Pa, komal Dha and Sa.
Note : By name it's a combination of two ragas Gaud and Sarang but feature shows combination of Raga Gaud and Kalyan. Somewhere it's a complicated raga.
B 360, Vasant Kunj Enclave, New Delhi - 110 070, India
Phone Number: +91 11 65652377
For More Details Visit Us On: http://www.musiclessonsonline.in
1. Bharat Bhairav:
This raag is a mixture of Bairagi & Ahir Bhairav, for example if from Ahir Bhairav Remove the Gandhar and in Bairagi use suddh Dhaiwat in spite of komal Dhaiwat. Other important thing, Like Bhairav in this raga Re is vibrating all the time so that by nature it's feel very smooth and peaceful.
That - Bhairav, Jati - Audav-Audav, Varjit swar - Gandhar, Aaroha - Sa komal Re Ma Pa, Dha komal Ni Sa, Avaroha - Sa komal Ni Dha Pa, Ma komal Re Sa, Pakad - Sa komal (Mandra) Ni (Mandra) Dha komal (Mandra) Ni Re Sa Sa komal ReMa MaPaMa Komal Re komal Re Sa, Vadi - Samvadi - Madhyam & Shadaj, Komal or Tivra Swar - komal Rishabh & Nishad , Time of singing - First part of the day (Early Morning), Nature of Rag - peaceful and Smooth, Rag Vishtar - All Saptak , Sam prakriti rag - Ahir Bhairav & Bairagi.
2. Gaud Sarang:
That - kalyan, Aaroha - Sa Ga Re Ma Ga, Pa Tivra Ma Dha Pa, Ni Dha, Tar Sa, Avaroha - Tar Sa, Dha, Ni Pa, Dha Tivra Ma Pa, Ga, Re Ma Ga, Pa Re Sa, Pakad - Sa, Ga, Re Ma Ga Pa Re Re Sa, Jati - Vakra Sampurna, Varjit swar - NA, Vadi - Samvadi - Gandhar and Dhaiwat, komal & Tivra - Madhyam Tivra , Time of singing - Third part of the day, Nature of Rag - Deep, Samprakirti rag - NA, Notation of Nyas - Pa, komal Dha and Sa.
Note : By name it's a combination of two ragas Gaud and Sarang but feature shows combination of Raga Gaud and Kalyan. Somewhere it's a complicated raga.
Divya Music Center
B 360, Vasant Kunj Enclave, New Delhi - 110 070, India
Phone Number: +91 11 65652377
Mobile Number: +91 9013121421
Fax Number: +91 11 26125677
Email Us On: divyamusic1@gmail.com, info@musicschoolindia.com
Email Us On: divyamusic1@gmail.com, info@musicschoolindia.com
For More Details Visit Us On: http://www.musiclessonsonline.in
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